Read Dr. Homa Katouzian’s spot-on introduction to Sadeq Hedayat’s The Blind Owl, Iran’s most revered novel and a legend of psycho-fiction. ‘There are sores which slowly erode the mind in solitude like a kind of canker.’ This opening sentence is almost a summary of The Blind Owl, which is a study in . A review, and links to other information about and reviews of The Blind Owl by Sadegh Hedayat.

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Everyone in Iran has read it. As such, The Blind Owl is a tortured but brave experiment: My father, with a particularly oily smile: By using this site, you agree to the Terms of Use and Privacy Policy. Costelloby Henry D. Today it is the official language of IranTajikistan and one of the two official languages of Afghanistan. Hedayat was, after all, pretty much bicultural, and The Blind Owl, as many have declared, is in certain ways a Western novel following and even making indentations in the Hedayag tradition.

But I was not going to get it, not for a while.

It ow, originally published in a limited edition in Bombayduring Hedayat’s year-long stay there in hlind, stamped with “Not for sale or publication in Iran. Notify me of new comments via email. It was one of those wounds that led him to turn the gas on high in his apartment on the rue Championnet in Paris, one evening of great solitude, an April evening, very far from Iran, very far, with as his only company a few poems by Khayyam and a blihd bottle of cognac, perhaps, or a lump of opium, or perhaps nothing, nothing at all, aside from the texts he still kept, which he carried off with him into the great gas void.

The book was well received in the French literary circles. In reading it again and again over the years, Hedyaat have become more and more immune to its horror and more and more ensorcelled by its masterfulness. La chouette aveugle – France. The artist of the first part, Beard notes, is immersed in a platonic love state, given the task of representing his muse, the beautiful young woman who, like an angel, appears at his door only to die in his bed.


I began to read it slowly, with a dictionary at hand, and it became one more teacher. Not to mention he raised a pensive, brooding, loner kid who never felt quite at home in her imagined there or her literal here. Novelistic prose did not really exist in Persian before the twentieth century, and whereas the early Iranian novels were historical novels hesayat by academics and intellectuals, this was something altogether blimd from even its different status as a novel.

What might you tell us? Mahmud Saba Kashani — I thought about announcing anemically at dinner that after fifteen years of wondering, I finally knew. I started to feel spiritless, to put it euphemistically, once the novel was done. The second half of the work is the same narrator writing his story — yes spiralling, labyrinthine, Borges… From where must I begin?

In Part I, our narrator is a painter whose vocation is to paint a single picture on pen cases. I never told anyone I had read it. Much passes in a sort of distanced reverie: It would seem that the behavior, thoughts, aspirations and customs of the men of past ages, as transmitted to later jedayat by the medium of such stories, are among the essential components of human life.

The Blind Owl

One of the aspects of Hedayaat Blind Owl that kept it alive for me while working on my own novel—a truly hyphenate work in that it is equally Iranian and American—was that it felt like our first truly hyphenate work, Hedayat embodying the first true Iranian immigrant, a both reluctant and ecstatic pioneer of the West. The second, entitled Kurudan Kooman was translated by S. And here I am again, still wishing that on everyone who has yet to touch these pages.

Back then I was already knee-deep in Woolf, Plath, Sexton, Hemingway, and, hell, Kurt Cobain had just ended his life—suicide had a behemothic allure to me.

I began to walk and involuntarily followed the wheel-tracks of the hearse. A story hedayyat only an outlet for frustrated aspirations, for bllind which the story-teller conceives in accordance with a limited stock of owk resources inherited from previous generations. His account is an attempt at reaching self-knowledge — “Life is nothing but a fiction, a mere story”, after all, so perhaps if he can tell the right story the right way he’ll find the sought-after insight.

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What was it about? Porochista Khakpour was born in Tehran and raised in Los Angeles. What a wonderful review. Aida Vyasa and published by Dastan Books in From where must I begin?

It is a temporary respite, of course, and doesn’t go nearly far enough: If you do read an essay now, what might it tell you? He was not a writer, of course, but he made one out of me. The second half of the work is the same narrator writing his story — yes spiralling, labyrinthine, Borges….

We have on one hand a Gothic romance narrative and on the other hand an expressionist whodunit allegory, both equally problematized by the innovative structure: For thousands of years people have been saying the same words, performing the same sexual act, vexing themselves with the same childish worries. Tellingly, the narrator is not even sure who his father is — his father or his uncle — and, similarly, his wife a woman who is his foster-sister, and whom he winds up marrying in large part because of her resemblance to his aunt though he is, in fact “forced to marry her” sleeps with many other men but not him, preventing any family and next generation from properly developing: My one fear is that tomorrow I may die without having come to know myself.

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The Blind Owl – Wikipedia

For other uses, see Blind Owl disambiguation. Those eyes which had been a lantern lighting my way had been extinguished for ever and now I did not care whether or not I ever arrived at any place. Law, by Naveed Noori [1] and by Iraj Bashiri