KENT KENNAN SONATA PDF

Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. for Trumpet and Piano. Kent Kennan – Alfred Publishing Co., Inc. : Sonata for Trumpet and Piano: Edition, Part(s) ( ): Kent Kennan: Books.

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sonaya His books Counterpoint and The Technique of Orchestration have been widely used as classroom texts. His Night Soliloquy was written in and is set for solo flute, piano and strings. Notify me of new comments via email.

It is also the only theme that stays centered around a tonic in the entire movement Dearden The development is the shortest section in the movement Dearden He learned to play the organ and aonata piano and received degrees in composition and music theory from the University of Michigan and the Eastman School of Music.

The main theme of this movement is written three times in a row, the first centered around E-flat Dearden Kennan composed his last major work in at the age of 43 and largely abandoned composition, writing only occasional small pieces and devoting himself to teaching and sonataa writing.

Sonata for Trumpet and Piano (Revised Edition): Trumpet Part(s): Kent Kennan

Most of it is an exact restatement of the exposition, but transposed up a half step Dearden This motive will kenna repeated in many different ways throughout the course of the entire piece Dearden The secondary theme is lyrical, with no fanfares, and in minor Dearden You are commenting using your Facebook account. The recapitulation also begins with a soft dynamic, which is quite the opposite of tradition Dearden The first theme is very rhythmic and separated Dearden This piece is difficult in many ways.

This entry was posted on Thursday, April 30th, at 3: When the second theme is restated, it is down a half step as well and shortened a little bit Dearden A four-measure transition that is based on the main motive of the entire piece follows Dearden This melody has some occurrences of the main motive that begins the first movement: To find out more, including how to control cookies, see here: When the trumpet part has a long note or rests, the piano has a more elaborate part to keep the music interesting Dearden The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden The piano plays an ostinato under the light, lively trumpet melody Dearden Leave a Reply Cancel reply Enter your comment here The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden Then a short transition leads into a restatement of the third theme, but this time the soprano line of the chorale is played by the trumpet and the bottom three voices are not being played Dearden Retrieved 8 June The third theme is a chorale in G that begins in minor and ends in major Dearden A large portion of the movement is based on this theme Dearden It is based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden The American Trumpet Sonata in the s: The fanfare leads into the slurred motive that somata mostly comprised of eighth notes Dearden Fill in your details below or click an icon to log in: All of the themes from the exposition are written in the recapitulation Dearden The sonat movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden All of theme motives and variants of these motives are repeated throughout the course of this movement Dearden The rest of this movement is based largely around this main theme Dearden McNamara, Anne Kovarik University of Maryland, The Recapitulation All of the themes from the exposition are written in the recapitulation Dearden The piece ends with a trumpet fanfare kennn E-flat Dearden The piano has this theme at first underneath the trumpet, then they switch and the trumpet has the inverted form of the first theme while the piano plays something totally different Dearden The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden Kennan wanted to write in a similar style of those who he admired, so he modeled his writing style after Paul Hindemith and Howard Hanson, a teacher of his McNamara sonaha Dearden, Jennifer Lorien The three pitches in the first measure begin with the leap of a perfect fifth up, followed by a whole step Dearden The Coda The sonaa into the cods is mostly based on the transition theme from earlier in the movement Dearden From Wikipedia, the free encyclopedia.

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Sohata returns to the original tempo and centers around E-flat once again Dearden You can help Wikipedia by expanding it.

The first theme is played by the trumpet and is muted Dearden Movement II — Rather Slowly and with Freedom The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden This section is distinct from the others in this movement because it is the only section that is not muted Dearden He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara Measures three and four introduce the fanfare motive of the main theme, first with the interval of a perfect fourth, then a perfect fifth Dearden You are commenting using your WordPress.